Dutch musician-composer and bandleader Ig Henneman performs on viola, and writes compositions for orchestras, ensembles, soloists, including pieces for film and theater. As an improviser, she mainly focuses on the Ig Henneman Sextet, Duo Baars-Henneman and and Perch Hen Brock & Rain. Booklet Ig Henneman 65 cv
According to critic Ed Hazell “... an artist incapable of remaining satisfied with any music that lies strictly within the boundaries of any one style. Her working free of received wisdom to an individual voice and clarity of vision is the exhilarating story told by the discs. (…) it’s a beautiful, functioning musical world all it’s own that Henneman developed organically out of poetry, jazz, classical, improvised music—and birdsong. (…) Melodies were entirely her own, again blending an ancient and modern sensibility similar to the Tentet recording and using rhythm and nonstandard intervals to shape and color them. (…) Not that she doesn’t have chops, but she seems determined to subvert classical notions of instrumental prowess in favor of a deliberately simple approach with more emphasis on timbre and more directly expressive (perhaps this is a legacy of her rock experience?) (…) Here the deliberately awkward rhythms, the dry textures and subdued colors of her playing, the concentration of thought and her ability to pare down to essentials take on an intense vulnerability and humanity.(…) It is sound discovered and organized with no preconceived notions and it is both incredibly touching and intellectually thrilling at the same time."
As of 1985, Ig Henneman leads her own groups, showcasing improvisers as well as her own compositions, in hundreds of concerts throughout Europe, North America, Brasil and Japan.
• in her series 'Solo Songs for Instruments' Henneman wrote In the Storm of Roses –Solo Song for violin with improvisation– for the German violinist Ayumi Paul, and for Dutch violinist Diamanda La Berge Dramm. And Ten Lines –Solo Song for viola with improvisation– for Elisabeth Smalt (2014-2015) • European 2014 tour with Perch Hen Brock & Rain a totally improvised quartet featuring Ab Baars, Ig Henneman, Ingrid Laubrock and Tom Rainey • Duo Baars-Henneman 'Autumn Songs' USA Tour (2012) • Molot for marimba-solo played by Fredrike de Winter (2010, 2011) • Ig Henneman Sextet plays 'Kindred Spirits' (2010), recorded on Cut a Caper (Wig 19, 2011) • Chant for violin and piano played by Heleen Hulst and Gerard Bouwhuis (2010) • Henneman, Henneman & De Swaan, Henneman String Quartet with harpist Godelieve Schrama (2004), recorded on Strepen - Music and Image in Concert (DVD and CD, Wig 10, 2004) Henneman String Quartet on Italian music (2001), recorded on Piazza Pia (Wig 07, 2002) • Henneman String Quartet plays Westwerk (1997), a project on medieval music and architecture • Ig Henneman Tentet plays ‘De nachtegaal tijdens de slaap’ (1995), recorded on Repeat that, repeat (Wig 03, 1995) • Ig Henneman Tentet plays Emily Dickinson (1993), recorded on Dickinson (Wig 02, 1993)
Self-taught composer Ig Henneman received some years of coaching by Dutch composer Robert Heppener. Since the nineties the music of the Russian composers Galina Ustvolskaya en Sofia Gubaidulina has been an inspiration for Henneman, who is attracted by the extremes of the former’s structural severity and the latter’s improvisational freedom.
As a five year old, Ig Henneman took piano lessons; at eleven she began to play the violin as well. At the conservatory, she initially studied the piano, later she majored on the violin, but ultimately the viola became her instrument. Ig Henneman played in several symphony orchestras before co-founding the legendary rockband FC Gerania, which performed Henneman’s first compositions. One of her early works is the soundtrack to the 1927 silent movie Baby Ryazanskye by Olga Preobrasjenskaja. Nowadays she is renowned for being one of the ‘New Dutch Swing’ improvisers of the Amsterdam scene as well as for being a prolific and much sought-after composer. She performs at venues and festivals in Europe, Japan and North America. Grants and commissions were given her by the Fonds voor de Scheppende Toonkunst, the Amsterdams Fonds voor de Kunst, the Fonds voor de Amateurkunst en de Podiumkunsten and the Dutch Ministry of Culture.
So far, Ig Henneman has worked with improvisers such as Alberto Braida, Han Buhrs, Axel Doerner, Martin van Duynhoven, Katrien Ex, Lori Freedman, Mark Helias, Tristan Honsinger, François Houle, Wilbert de Joode, Theo Jörgensmann, Takuji Kawai, Peggy Lee, Marilyn Lerner, Sabina Meyer, Michael Moore, Phil Minton, Ernst Reijseger, Misha Mengelberg, Roswell Rudd, Fabrizio Spera, Roger Turner, Veryan Weston, Wolter Wierbos, dancers Hisako Horikawa and Masako Noguchi and poets H. C. ten Berge and Diane Régimbald.